Harvey Young. Embodying Black Experience: Stillness, Critical Memory, and the Black Body. University of Michigan Press, 2010.
- Kevin Byrne. “The Amalgamation Waltz: Race, Performance, and the Ruses of Memory. By Tavia Nyong’o. Minneapolis: University of Minnesota Press, 2009; pp. 248. $67.50 cloth, $22.50 paper. Embodying Black Experience: Stillness, Critical Memory, and the Black Body. By Harvey Young. Ann Arbor: University of Michigan Press, 2010; pp. 272. $80.00 cloth, $32.50 paper.” Theatre Survey, Volume 52, Issue 2, pp. 348-351. Available online. [may require subscriber login]
- Ric Knowles. “Embodying Black Experience: Stillness, Critical Memory, and the Black Body (review).” Theatre Journal, Volume 63, Number 1 (March 2011), pp. 138-139 Available online. [may require subscriber login]
- Aimee Zygmonski. “Embodying Black Experience: Stillness, Critical Memory, and the Black Body. By Harvey Young. Ann Arbor: University of Michigan Press, 2010. Pp. xii + 259. £71.50/$80 Hb; £26.95/$29.95 Pb. No Safe Spaces: Re-casting Race, Ethnicity, and Nationality in American Theater. By Angela C. Pao. Ann Arbor: University of Michigan Press, 2010. Pp. xii + 305. £71.50/$80 Hb; £26.95/$29.95 Pb.” Theatre Research International, Volume 37, Issue 1, pp. 96-97. Available online. [may require subscriber login]
