Modern Drama Volume 57, Number 2 /2014
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This issue contains:
The Chronotopic Dynamics of Ibsen’s Pillars of Society: The Triumph of Industrialism, or How Drama Becomes History
Erinç Özdemir
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Ventriloquist Theatre and the Omniscient Narrator: Gatz and El pasado es un animal grotesco
Barbara Fuchs
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Parody, E.E. Cummings, and Uncle Tom’s Cabin
James M. Cherry
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“A Little History Here, a Little Hollywood There”: (Counter-)Identifying with the Spanish Fantasy in Carlos Morton‘s Rancho Hollywood and Theresa Chavez’s L.A. Real
Courtney Elkin Mohler
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“Remove Your Mask”: Character Psychology in Introspective Musical Theatre – Sondheim’s Follies, LaChiusa’s The Wild Party, and Stew’s Passing Strange
Alisa Roost
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Rethinking Sarah Kane’s Characters: A Human(ist) Form and Politics
Louise LePage
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Reviews
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Sean Carney, The Politics and Poetics of Contemporary English Tragedy, reviewed by Lily Cui
Leslie Atkins Durham, Women’s Voices on American Stages in the Early Twenty-First Century: Sarah Ruhl and Her Contemporaries, reviewed by Miriam Chirico
Siyuan Liu, Performing Hybridity in Colonial-Modern China, reviewed by Jen-Hao Hsu
Carol Martin, Theatre of the Real, reviewed by Liz Tomlin
Vassiliki Rapti, Ludics in Surrealist Theatre and Beyond, reviewed by Johanna Malt
Liz Tomlin, Acts and Apparitions: Discourses on the Real in Performance Practice and Theory, 1990-2010, reviewed by Miriam Felton-Dansky
Sara Warner, Acts of Gaiety: LGBT Performance and the Politics of Pleasure, reviewed by Jessica Del Vecchio
Maurya Wickstrom, Performance in the Blockades of Neoliberalism: Thinking the Political Anew, reviewed by Jason Fitzgerald
Modern Drama was founded in 1958 and is the most prominent journal in English to focus on dramatic literature. The terms “modern” and “drama” are the subject of continuing and fruitful debate, but the journal has been distinguished by the excellence of its close readings of both canonical and lesser-known dramatic texts from a range of methodological perspectives. The journal features refereed articles written from a variety of geo-political points of view which enhance our understanding, both formal and historical, of the dramatic literature of the past two centuries; there is also an extensive book review section.
Complete Modern Drama Online archive now available! Modern Drama Online is a fully searchable electronic resource, featuring a complete archive of regular and special themed issues. The archive contains over 3000 articles and reviews dating back to 1958.
For submissions information, please contact the editor at:
Modern Drama Editorial Office
c/o Centre for Drama, Theatre and Performance Studies
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University of Toronto
Toronto, Ontario
Canada M5T 2Z9
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Email: modern.drama@utoronto.ca
For further information, please contact
Modern Drama
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